Episode 82

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Published on:

23rd Oct 2025

83. How Storytelling Can Get You What You Want

In this episode we discuss: How storytelling can get you what you want. We are joined by David Pullan, author, speaker, coach, and gold miner.

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  • We chat about the following with David Pullan: 
  • How can leaders use storytelling to make their ideas unforgettable?
  • What makes a message stick in people’s minds long after the meeting ends?
  • Why do leaders often overlook the importance of how they communicate, not just what they say?
  • How can storytelling build trust and psychological safety within teams?
  • What practical steps can leaders take to transform everyday communication into moments of influence?

References 

  • https://www.linkedin.com/in/david-pullan-4b0619a/
  • www.thestoryspotters.com

Biography 

David Pullan and his wife and business partner, Sarah Jane McKechnie, first met in a rehearsal room over thirty years ago and have been collaborating ever since. From acting alongside Shirley MacLaine, performing for Henry Kissinger, and filming in the former Yugoslavia (with Robert Downey Jr dancing on the table), to cooking a chicken live on stage, their careers have been defined by spotting, shaping and sharing stories in unexpected ways.

Together, through their company The Story Spotters, they draw on their backgrounds as performers, coaches, scriptwriters and hypnotherapists to help clients master the communication moments that matter. Their book, The DNA of Engagement, offers a story-based approach to building trust and influencing change in today’s noisy corporate world.

To learn more about Beth and Brandon or to find out about sponsorship opportunities click here

Summary

00:14:40 – Why stories matter more than facts

00:17:37 – Meeting people where they are

00:20:23 – How stories help ideas stick

00:23:04 – A leader’s process for shaping communication

00:28:27 – Common mistakes leaders make with storytelling

00:31:07 – Switching gears: the role of vulnerability

00:36:26 – How authenticity shapes perception

00:39:13 – Balancing emotion and logic in leadership stories

00:42:03 – Why psychological safety is essential



This podcast uses the following third-party services for analysis:

Podcorn - https://podcorn.com/privacy
Transcript
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Hello, and welcome to another

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episode of the Operations Room, a

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podcast for COOs.

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I am Brandon Mincinga, joined by my

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amazing co-host Bethany Ayers.

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How are things going, Bethany?

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Going really well.

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I'm a little tired just because

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I'm on now day

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10 of my

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CEO. At some point, it'll be

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like newborn children where you stop

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counting the days or the weeks and

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the months and just get into normal

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time.

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It'll all blend together at some

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point, I'm sure.

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But right now I'm trying to remind

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myself of just the number

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of days that I've been here and to

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give myself a little bit of a break

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for having not managed

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to do everything in the first

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10 days.

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Transform the organization in 10

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days, yes.

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Although on day nine,

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which was yesterday for, you know,

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those who are maybe not as new,

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right, we had our first

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all hands.

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So brought the whole team

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together and

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I spent all of

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Wednesday.

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So the event was on Thursday,

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figuring out vision,

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mission, my ambitions

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for the team and

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did my first

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CEO.

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As not just like CEO

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here talk, but ever,

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rather than being the

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COO to follow the inspirational

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CEO talk.

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I was that first talk.

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You were the inspirational talk for

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the vision and mission.

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Yeah, that's amazing.

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So I spent all

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day Wednesday working

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with ChatGPT on

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what I should talk about and

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how should it work.

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People keep talking about Whisper

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Flow, and I was not convinced that

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I wanted to use it.

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And I was like, I can just type

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fine.

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But actually, I've been using it and

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it is so good.

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Okay, Whisper Float, what is that?

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It's a dictation tool, but

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it gets rid of your ums and ahs.

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It adds in your punctuation, but

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the thing for using it with

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ChatGPT that's much better than

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using the native ChatGpT

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just talking to it is

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I've found that it's still a bit

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glitchy and so sometimes

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I can talk for a long time and

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all of it is lost and ChatGpt

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just hasn't picked it up.

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But when I use Whisper Flow, it

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also captures it itself.

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But I was able to just...

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Explain everything that I was

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thinking and what

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areas should I cover more, what

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should I cover less, what's the

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structure.

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And in the course of the day, we

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figured out the vision and the

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mission and the

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flow, and it just gave me something

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to work with. And I ended up

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changing the flow when

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I started to get involved in the

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slides myself, but at least it

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had something as a

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skeleton that I could work with,

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and then it was, Okay, actually.

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These slides are stupid, or

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this flow would be a bit better.

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And I ended up with a flow of,

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where are we today?

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Where are we going?

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How are we gonna get there?

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So I didn't finish working till

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about 10, 10.30

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on Wednesday.

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I wasn't feeling comfortable with

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the slides overall.

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It didn't feel great, but I knew

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the slides were good.

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I knew that the flow was good, but

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I didn't necessarily like.

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Deeply believe all of it myself or

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hadn't internalized it.

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Went to sleep, slept really poorly,

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worrying about the day, thinking

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about it, processing stuff.

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Woke up and it's just like,

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how am I going to do this?

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I'm so little energy.

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Got in, did a one-to-one,

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drank some tea, and then

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did the presentation.

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I just have to say, I did an amazing

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job. It was like

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some other person talking.

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Almost like an out of body

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experience at one point, I'm like,

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look at this person talk, where are

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these words coming from?

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This is amazing.

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This sounds so good.

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I would follow this person.

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Wow, that's okay.

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How did that happen?

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Hand of God or something, like it

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really was just, I

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did so much better than I actually

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thought possible and I

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honestly have no idea how I did

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that.

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Wow, yeah, I feel like this is like

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what we need to impart to our

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listeners. How do you pull the

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rabbit out of the hat here?

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And I'm wondering your structure

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and flow and what you had

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preordained the previous night,

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did you actually mostly use

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it or how did it play out in terms

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of the actual usage of the material.

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I did, but the

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talk track around all of it was just

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excellent, and I don't know how.

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It really was.

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I talked to my husband about it

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yesterday, and he said, but you were

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so in the zone on Wednesday.

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He was like, you were deeply in it.

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I knew you'd do a great job, and was

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like but I didn't feel like I was

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deeply in it. He's like, no, you are

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so immersed.

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You were there, and then I

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think all of that processing in the

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night, even though didn't sleep

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well, like there was a lot of brain

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going on.

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It all just came together somehow.

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I mean, sometimes, I don't

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know, the level of focus and

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intensity of your thinking,

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by definition, will put you in the

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zone just because you've thought

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about it so deeply.

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So the words that are coming out of

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your mouth, they're very natural

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because you have tuned in to

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the exact emotion and

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feeling and talk track that you've

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manifested over the course of the

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previous day.

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So it worked well.

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Then the two follow-on talks,

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one from sales and

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one from engineering,

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both went really well as well.

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It looked like there were a lot of

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slides, so I thought that might be

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the whole day.

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And I'd had a communication

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workshop built into the agenda, but

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I honestly didn't think we were

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going to get to it because once I

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saw the slides from the other two

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decks, I was like, it's going to be

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slightly death by PowerPoint and

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it's gonna be a long day.

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But I hadn't seen their final

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decks. I just thought I had seen

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their final decks in between.

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10 o'clock at night and 8

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a.m. The next morning, both of them

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had been halved, the number of

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slides, and were like much tighter

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and better stories.

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That's beautiful.

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And so then we did have time for the

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communication workshop, but I had

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nothing planned,

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because I didn't think we were gonna

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get to it.

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And it was half two, people are a

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bit tired, we'd had lunch and stuff.

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So I was like, go get your coffees,

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come back in 15 minutes.

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And in those 15 minutes, did a bit

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of a brainstorm with

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somebody else and came up with

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what I think is a really good game.

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Like it worked for our size.

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You'd have to somehow change it for

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a larger company.

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But it was, I think the reason why

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communication is so poor

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in businesses is because we don't

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actually understand what other

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people want to know, need

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to know. It's just what we think

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they want to and need to.

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And so you end up with either too

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much information, not enough

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information in the wrong

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format. The stuff that matters

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disappears for all of the fluff that

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doesn't. And so I was like,

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why don't we do basically

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a version of the newlywed game,

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which learned in the UK is called

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Mr. And Mrs. So I said, it's going

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to be the version of the newlywed

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game. And they all looked at me like

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they didn't, I didn't know what I

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was talking about.

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And I just figured, oh, that's

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because I'm American and old.

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And it's just like a TV show that

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never made it here. And I started to

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describe it. And they're like, Oh,

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Mr. And Mrs. Mr. And Mrs.,

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like, yeah, okay.

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Learned something new despite being

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here for 25 years.

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So what we did is we split up

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into go to market

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engineering and the leadership team.

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And we did three rounds.

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So the first one was,

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doesn't matter, go to market.

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So as a leadership team, we wrote

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down what are the five things we

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think go-to-market wants to know

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about from us, and then

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engineering wrote one of the five

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things they think go to-market want

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to know from them.

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And then go- to- market wrote two

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lists, one for

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the leadership team and one for

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engineering team.

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And then we got points on how

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many of them you got right,

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and so there's also a competition.

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And then, we did it three rounds for

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each team. It was a good laugh,

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lots of laughing and joking and

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chat, but also real

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aha moments of,

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oh, you don't care about that or

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more, oh, that's what you

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want to know about?

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And so now we have these lists and

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we can remind ourselves about what

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it is that each team wants to know.

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So let me get this straight.

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So on the fly, within 15 minutes,

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you had formulated this plot of this

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game and executed it

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and it sounds fabulous.

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You actually got some results.

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Yeah, that's amazing.

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Yeah, I'm telling you,

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God was going through me yesterday.

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Like, I just...

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So I had a leadership offsite

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yesterday, and we have them

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once every six weeks.

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So I host and facilitate the

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session.

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And I would sort of, not a

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revelation, but it's more.

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We reminded myself how best

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to run these things.

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So. As always, you try to put

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a structure in the agenda,

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pre-reads for core topics whereby

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the pre-reads are distributed the

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day before, people have an

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opportunity to read them, put in

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their comments, so there's more of a

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thoughtful set of

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views that are percolated before we

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actually enter into the sessions

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type thing, right?

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And previously, up until now for

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these off-sites, I've been fairly

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sort of rigid with the structure and

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the agenda and all that.

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And I can kind of tell with a group,

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when you're overly prescriptive

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around what you're talking about,

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it sometimes creates lifeless

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conversations.

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Not what you want in terms of a real

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chat to get to real outcomes,

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because there's an organicness

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that you're removing somehow by

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keeping this kind of strict agenda,

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I suppose. On the flip side of that,

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having no agenda is going to be like

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a free-for-all talking about

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whatever, going into crazy rabbit

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holes forever, essentially, and

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that's not cool either.

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So I think this one in particular, I

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think we came to a really good

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middle ground between some level

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like agenda structure to

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it. But very much pausing

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when something was either not

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being discussed and it should be,

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or we had kind of glossed over

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something that actually was

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important and actually going back to

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it, like flagging it.

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Like I felt I was more masterminding

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the day and being active in

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terms of just thinking about like,

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what are we talking about?

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Is this useful?

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Are we talking to the right things?

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Am I kind of ensuring that whatever

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was serviced earlier is being pulled

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back into the conversation again to

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actually get to outcomes?

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So I felt this session was probably

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the best version of it thus far at

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this new company.

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And so was that a

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letting go of time?

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Yeah, because our timings definitely

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were off, but it didn't matter.

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I think getting just too caught up

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on all this stuff, like we have to

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get this done, we have get that

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block done, this block done to

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make a day productive, I think

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defeats the purpose of an offsite

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because you're there as a group.

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The energy levels kind of ebb and

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flow and all that people want out of

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it really is to align on things that

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matter and get to outcomes where

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there's either an action or there's

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like alignment that we actually

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agree upon, whatever it is that

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we're talking about.

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And I think that's really the

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intent.

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I haven't done exactly what you've

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done, but what I did do at peak

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was get rid

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of agenda timings.

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We had a flow of topics

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and we knew we had things like

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lunch,

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but it wasn't okay.

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Guessing ahead of time, this is a

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one-hour conversation, this a

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45-minute conversation, this is

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whatever.

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That worked much better.

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Then also highlighting the

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one, two, three things that

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absolutely have to

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be addressed.

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And it's almost like those,

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you do some of the other

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topics to build into the big ones.

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I think that works as long as

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there's the structure, you know,

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so it's not a timing structure but

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it is what you're talking about,

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like what are we trying to answer

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today, what are the topics we need

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to cover, rather than, that

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keeps it from being free for all.

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And it also means that you can stop

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the rabbit holes, you're like, is

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this relevant to today.

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So we have got a great topic for

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today, which is how storytelling can

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get you what you want.

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We have an amazing guest for this,

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which David Pullen.

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He is an author, a speaker, and a

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coach for his organization called

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The Story Spotters, which makes

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sense.

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So the first thing that

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David had spoken about was

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the narrative and the narrative

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being this overarching structure or

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strategic arc that answers three

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questions, which is, what's your

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dream, which is the vision or goal.

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What's your nightmare what could

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derail us what's the action what

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we need to get there and

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that narrative.

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Structure that i spoke about was one

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piece the second piece was the

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stories themselves and stories

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defined as emotionally resident

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real life illustrations that make

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that narrative stick so that

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definition in mind what

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do you make of that do you think

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that's a helpful way to think about

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narrative story.

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The first thing that I thought about

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was the conversation or

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the talk I did yesterday,

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you know, that narrative.

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And I had the dream part,

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but I did not have the nightmare

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part at all because

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I didn't want people thinking about

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the nightmare parts.

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So we have the dream parts and the

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how to get there part.

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What I started to think is like, do

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you need to always, in order to have

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a narrative, maybe to have like

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a complete narrative or to have some

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tension if you're looking at it in

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terms of a story, you need have the

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negative. But there are times where

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it's probably not necessary to

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still land your message.

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I think there's a time and place for

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the nightmare or injection.

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I think the nightmare is quite

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useful when you're trying to get

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people to really recognize

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like what is going on right now in

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terms of problems that we're having.

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What you want to start with is, you

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know, we have a vision for where we

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want to get to.

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By the way, we've got some real

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problems, but we've gotten an action

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plan to get there.

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I mean, I think you're, yeah,

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it is quite a normal narrative arc,

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I guess, in business.

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And I do like the fact that a

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narrative is not synonymous with a

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story, because I

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think that is like, a lot

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of times when people talk about

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storytelling, they're actually

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talking about a good narrative,

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whereas we all just naturally

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tell stories.

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And stories is what we remember.

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And I think almost in a way of

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relaxing about stories,

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you'll more of them without even

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realizing it.

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In the ops world, all these stories

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get lost a lot of times.

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You do like a finance presentation,

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you talk about the burn multiple,

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here's CAC payback, and

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you can tell the audience they have

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no idea what you're talking about,

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or they sort of do, but they kind of

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don't care. Here's a quote from

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David, which is, there's a

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story behind the data.

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Add time, place, character.

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Never say I'm about to tell you a

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story. Just tell it.

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Although, did you realize that he

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said to us in the interview,

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I'm about to tell you a story, or

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let me tell you a story?

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Oh, did he?

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He did it like towards the end of

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the interview and made me

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laugh.

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He's breaking his own rule.

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He was, yeah.

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I think that's helpful when you're

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like, okay, so what's my good story

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about CAC payback that I can tell?

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You're like huh,

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where?

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And then if you can get yourself

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into a time and a place where you

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have a story, it will help a

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lot because I suspect

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there are topics where you're

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just scraping the bottom of the

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barrel of what that story might be.

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It's almost like a time and effort

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thing because you, you realize

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you have something to talk about in

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the all hands and it's financial

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related. You got to put together the

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right charts. Like what are the

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right trucks we need to do here?

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What do we want to communicate?

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Fine. It's like a burn multiple or

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something like that.

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And help people understand what that

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means and why it's meaningful.

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We don't take the one extra step to

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think about, okay, if I was to add a

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story to our burn multiple, what

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would I actually say?

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I don't know if I have a story, but

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I have like a way of fleshing

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out gross margin, but I don t

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necessarily have one on the others.

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For me, gross margin is,

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is this a time and a place and

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a character? I'm not sure.

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Maybe. I can say that

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my experience both from

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a company that I worked

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with and just companies in general

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that I see in SaaS,

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everybody believes that

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they all have a model where gross

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margin will magically happen at

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scale. And then you grow

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and gross margin doesn't

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become better.

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It pretty much stays the same.

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And the story of it happening at

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scale is just a massive myth.

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And it ends up meaning

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that you never really get rid of

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your burn

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and you just still need more money

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for more growth.

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And therefore you need

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to get your arms around gross margin

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regardless of, you

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can't just use scale as your answer

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to gross margin.

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I don't know if that's a story or

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that's just like my experience.

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I probably have a better story, but

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it's just not one that I can share.

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Lovely. So thank you for that.

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Let's get on to our conversation

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with David Pullen in storytelling.

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The thing about stories, it does

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involve people and I like to think

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of it, it's sort of like the YouTube

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or the Netflix of the mind because

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there's a huge problem that I find

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with business is that you get 12

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people going into a room and talking

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about what they assume is the same

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thing and all leaving with

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12 different stories in

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their head of what those things

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mean to them.

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And I think the major thing to

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remember is that we all live in

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a story world.

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On this little planet circling

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the sun and a billion of us all

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with our own story at which

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we are the center of that

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story so to realize that.

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That is happening.

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There are lots of stories out there

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and how can you connect with other

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people's stories, make them part of

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the story, which is about helping

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them to co-create the story.

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So you're right, it's about people,

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but it's about allowing your people

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to see.

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The part that they play,

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particularly in your situation where

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you're going into your first hundred

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days of a new role.

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It's about sort of understanding

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where people are now,

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having a vision of where you want to

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get them to, but letting them see

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their journey on that

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road. It's, yeah, so it is, it's

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people and letting them see it in

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their mind going, oh, I get it.

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I see that now.

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And feel it, because a good story

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doesn't only make people see

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things, it helps them to feel things

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as well.

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This phrase of co-creating or

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co-creating the story, like how

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do you do that in a real practical

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way? Like what are the techniques

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and some of the things for folks to

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think about in terms of trying to

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make that happen? Because oftentimes

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for CEOs, for the business at

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large, also in meetings that matter,

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you're trying to do this.

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You're trying to get that group from

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A to B over the course of that

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meeting hour produce a

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different result at the end of it

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whereby they walk away with a co-

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created plan that they believe in

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that is common across the entire

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group. How do you make that happen.

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I think it's about giving people

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agency within it.

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I mean, as a leader, it's incredibly

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important that you have a vision

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of what this story is.

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But I mean it's a strategy.

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Let's use strategy, the story

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of the strategy.

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Have a very, very,

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good pencil sketch that you're going

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to allow people to do a bit of color

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by numbers on so they can get

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involved with it.

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I started for reasons my bank

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manager still doesn't 100%

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understand. I spent about 20 years

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of my life as an actor, a

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professional actor in Australia in

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the UK.

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And the best directors I worked

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with. Were the people who turned

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up on day one with a great set

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and a great vision of

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what the end product was going to

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look like but were willing to be

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surprised on the journey of how

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they got to that end product.

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They weren't working with puppets.

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I mean, they weren't going, great,

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you move here and you do this.

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Some of them were, admittedly.

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But it was the ones who

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had a very, very strong vision.

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They wanted to do this, what I'm

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thinking of in particular is

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Sam Mendes, the film director, I

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mean, he's...

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Fantastic at this great strong

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vision but he's willing to

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allow people to develop

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their place within that and

Speaker:

I think it's a tough one this

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because you know we're all stressed

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we're all sort of short of time

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these days but I do think

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that creating the time and space as

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a leader And by that,

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I mean sitting down, literally

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creating the time and the physical

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proximity.

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And in some ways, I'm going

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to use those two words,

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psychological safety as well,

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whereby people can feel that they

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can say what they need

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to say and be heard and understood,

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creating that time and space so

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people can feel that we do have the

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agency to do that coloring

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by numbers, if you think.

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This is one of my problems with

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storytelling or like using the

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word story is in

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a business context versus the rest

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of our world context.

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You've just told us a story, you've

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actually kind of told us two

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stories. You told us about your time

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as an actor and then that's

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as a person and it's in the past and

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you're like, oh, I will now remember

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your story.

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And then you kind of told a second

Speaker:

story about Sam Mendes but

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not in as much detail so I probably

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won't remember that story.

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But then we were all talking about

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it as leaders that were doing this,

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for telling a story of the future.

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And we're painting a picture of the

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future, but that's not the same as a

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story and some of the other

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elements are just kind of like

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letting people talk.

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So I think what we need to talk

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about here is the difference between

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story and narrative.

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My wife and I, and she's my business

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partner as well, we wrote a book

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called The DNA of Engagement, a

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story-based approach to building

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trust and influencing change, which

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came out last year and it's

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done very well.

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DNA does not stand for

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deoxyribonucleic acid in this

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case. It stands for dream nightmare

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action.

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And it's those three elements.

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And we suddenly realized when we

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were working on this book and

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working with one very big client in

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particular who was going through a

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change program.

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That these three elements of dream

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nightmare action happen in our lives

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from the moment we wake up on a

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Friday morning wanting to get on a

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podcast to when we're trying to

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set the vision of a company,

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when we try to set a vision of the

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country, when trying to change the

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climate. We have a goal.

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We have dream.

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We need to get very clear about

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that. We all need to be on the same

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page. What are we trying to achieve?

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Then we have a nightmare, my dream.

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Get onto Riverside.

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Nightmare.

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My computer needed updating.

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Action. I scramble around trying to

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update and get my AirPods to work.

Speaker:

So this dream nightmare action

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narrative structure runs

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right through our lives from the

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moment we wake up to the moment.

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We go to sleep on a micro level on

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a macro level.

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That's the narrative.

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The stories are the things that

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bring that narrative to life.

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Think of it like the narrative is

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like a tree. It's a pine tree.

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It's the decorations, the tinsel and

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the baubles making a Christmas tree.

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So as a leader, having a very

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clear vision of what the narrative

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is, this is what my dream is.

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This is what I think the future is

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going to look like.

Speaker:

I can share with you, I

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mean, where this came from was

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Aviva, the British insurer,

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works in Canada and UK and Ireland.

Speaker:

And Dame Amanda Blanc, who is a big

Speaker:

supporter of ours and we work

Speaker:

with her a lot, she basically stood

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in front of her top 200 leaders and

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said, this is the vision, we're

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slimming down the business to three

Speaker:

main countries, we can approve,

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we could be a composite insurer.

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We're going to pay off the

Speaker:

investors, but I can't

Speaker:

do it myself. You guys have to

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find out how you can engage

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the business, the 22,000 people

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in having the conversation where

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they want to co-create this and come

Speaker:

on this journey.

Speaker:

So I want you to figure out what

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you're going to do. What is the step

Speaker:

change you're gonna make as leaders?

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She had a dream.

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She saw what the nightmare was.

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She couldn't do it herself.

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She asked for the actions.

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The process thereafter in the change

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was getting those 200

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leaders to go through a process of

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thinking, what do those

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nightmares look in my space?

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What do they look like in my

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particular part of the business?

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What actions do I individually

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need to take in order to

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make the dream come true?

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And that was it.

Speaker:

They created their own story based

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on Amanda's vision.

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And then it was a case of trickling

Speaker:

it down through the business.

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So it's a bit like pyramid selling,

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if you think pyramid selling of

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storytelling, I mean, you tell the

Speaker:

story, you get other people to

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create the story and that drives the

Speaker:

culture through the business.

Speaker:

And it was very successful.

Speaker:

So I think it's the difference

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between a future narrative and then

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creating the stories that make that

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narrative.

Speaker:

A reality.

Speaker:

And I guess my thought as an

Speaker:

operator is, oftentimes in these

Speaker:

meetings we're dealing with a lot of

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data, details, dashboards,

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that sort of thing, and making that

Speaker:

pop and come alive and engaging the

Speaker:

audience for that with a narrative,

Speaker:

with a storyline that is actually

Speaker:

engaging for people and sometimes

Speaker:

very difficult to do because

Speaker:

inherently the material is dry.

Speaker:

So in that circumstance for

Speaker:

operators like myself, is there

Speaker:

anything special you would recommend

Speaker:

or suggest in terms of tackling

Speaker:

that.

Speaker:

Simple answer is yes.

Speaker:

I mean, data is, you know,

Speaker:

there is one thing that is

Speaker:

guaranteed about the future.

Speaker:

We're not going to be swimming in

Speaker:

any less data.

Speaker:

The data is just sort of building by

Speaker:

the day and it's how we use that

Speaker:

data. And I think it's very easy

Speaker:

to depersonalize data.

Speaker:

Funnily enough, I'm about to go to

Speaker:

India to work with a very big global

Speaker:

company on exactly this, on how they

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tell the story through their written

Speaker:

communication on using the data.

Speaker:

And it's easy to forget that

Speaker:

data is basically affecting people.

Speaker:

There is a story behind the data.

Speaker:

How do you use that?

Speaker:

And so it's about choosing your data

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well. It's about using the points

Speaker:

that you really want to get over,

Speaker:

not overwhelming, not people with

Speaker:

the data and the cognitive overload.

Speaker:

And there's a technique called

Speaker:

narrative transportation,

Speaker:

which is, it's that feeling, you

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know when you've been on holiday and

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you're reading a book and you read a

Speaker:

book and you sort of let it think,

Speaker:

wow, where's time gone?

Speaker:

I was suddenly in sailing in the

Speaker:

middle of the Arctic Sea.

Speaker:

I wasn't here on the beach.

Speaker:

Because your mind goes elsewhere.

Speaker:

And it's that basic thing of time,

Speaker:

place and character.

Speaker:

And if you can add those

Speaker:

elements into your data

Speaker:

story and telling it, saying,

Speaker:

listen, next week,

Speaker:

there are going to be people in New

Speaker:

Jersey who are going to be looking

Speaker:

suddenly you've got people

Speaker:

in new Jersey next week.

Speaker:

It's making the use of those

Speaker:

skills of narrative transportation

Speaker:

and never using the S-word.

Speaker:

Never tell people that you're about

Speaker:

to tell them a story because all

Speaker:

sorts of radars and

Speaker:

alarm systems go off and people

Speaker:

think, hang on,

Speaker:

bullshit is coming up.

Speaker:

Never use the S word.

Speaker:

Just tell the story.

Speaker:

Just tell it. Just jump in there.

Speaker:

Time, place, character.

Speaker:

And the other element is, I think,

Speaker:

Brandon's going for the practical,

Speaker:

I'm going for the more abstract in

Speaker:

all of this, because I'm still

Speaker:

working through the theory,

Speaker:

is people hear, you need to tell

Speaker:

a story and freak

Speaker:

out and think it needs to have

Speaker:

a beginning, middle and end, it

Speaker:

needs to have characters, it needs

Speaker:

to be a big arc

Speaker:

or a hero's journey, et cetera.

Speaker:

And then they're like, oh, but it's

Speaker:

very important to tell stories

Speaker:

because humans' brains are wired

Speaker:

to accept stories, so what I need to

Speaker:

do is tell a story.

Speaker:

But then if you just relax, you

Speaker:

realize that that's how we all

Speaker:

communicate. And if you take a step

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back, all of our communications

Speaker:

are my story, your story,

Speaker:

waiting till it's the turn for me to

Speaker:

tell my story again.

Speaker:

I think the whole idea

Speaker:

of the hero's journey has done a

Speaker:

terrible, terrible disservice to

Speaker:

business storytelling because people

Speaker:

get into this situation where they

Speaker:

think they've got to stand up and

Speaker:

create the equivalent of Star Wars

Speaker:

and it's never going to happen.

Speaker:

It just won't happen.

Speaker:

A, you'll probably be bad at it and

Speaker:

nobody cares.

Speaker:

So just to realize that,

Speaker:

as you said, storytelling is

Speaker:

about doing what we do every

Speaker:

single day to make friends,

Speaker:

to have connections. We tell things

Speaker:

about what happened to us,

Speaker:

you know, do you know what, I went

Speaker:

to the pub last night and I was

Speaker:

sitting down with Beth and Brandon

Speaker:

and you'll never guess what they

Speaker:

told me. That's a story.

Speaker:

It doesn't have to have a sort of

Speaker:

like big, inciting incident

Speaker:

and you know one of us getting up a

Speaker:

tree and having sticks thrown at us

Speaker:

and it doesn't need to happen.

Speaker:

If we go back to that DNA structure,

Speaker:

just tell the story of the dream.

Speaker:

Tell the story what the future looks

Speaker:

like, what's it going to look like

Speaker:

for people by year

Speaker:

end when the strategies have been

Speaker:

put in place.

Speaker:

Tell the story of some of the

Speaker:

nightmares. These are the things

Speaker:

that could get in the way of it.

Speaker:

For example, in Birmingham, blah,

Speaker:

it's about micro stories rather

Speaker:

than Spielbergian.

Speaker:

Is that a word?

Speaker:

Spielbergia big stories.

Speaker:

It is now.

Speaker:

You know, it's interesting in my

Speaker:

career, I've had feedback pretty

Speaker:

consistently that I know it's

Speaker:

feedback related as opposed to like

Speaker:

doubt, doubt that branding can

Speaker:

really tell a vision that

Speaker:

excites the company, you know, like

Speaker:

a CEO would, and that my lot

Speaker:

life is a CEO, and I'm not capable

Speaker:

of like, telling that grander vision

Speaker:

on a consistent basis that's

Speaker:

exciting for people.

Speaker:

That's a horrible bit of feedback to

Speaker:

get from somebody.

Speaker:

Who were they, Brandon?

Speaker:

Yeah, exactly. I keep thinking about

Speaker:

it. It gets me to your question,

Speaker:

Beth, or just around kind of like,

Speaker:

what are we talking about here?

Speaker:

It's a story.

Speaker:

It's a grander story, I suppose.

Speaker:

Maybe it is a hero's story.

Speaker:

I don't quite know. What is the

Speaker:

problem here? Why can Brandon not do

Speaker:

this?

Speaker:

First up, Brandon, I think Brandon

Speaker:

can do this.

Speaker:

Oh, thank you.

Speaker:

Thank you, David.

Speaker:

No, I'll tell you exactly what I

Speaker:

think that I think the problem is.

Speaker:

OK, I want to talk about two things

Speaker:

here. Push versus pull influence,

Speaker:

if you like.

Speaker:

And I think that a lot of leaders

Speaker:

and a lot of people get into the

Speaker:

problem of they want to push their

Speaker:

story onto people.

Speaker:

They want to say, this is what we're

Speaker:

going to do. This is how we're going

Speaker:

to and it's going to be great when

Speaker:

we get there.

Speaker:

And people are sitting there

Speaker:

thinking, hang on a second.

Speaker:

We really need to go there.

Speaker:

And, you know, is it going to is it

Speaker:

really going to be great, when we

Speaker:

got there? So coming back to

Speaker:

storytelling, I think that the

Speaker:

biggest skill people can do is

Speaker:

connect to others before they try

Speaker:

to push their own story.

Speaker:

So I'm gonna talk about this DNA

Speaker:

thing again. The reason we talked

Speaker:

about that we created this within

Speaker:

Aviva is because the first

Speaker:

move, the first strategic move

Speaker:

is to connect to people and say,

Speaker:

listen, I get your story

Speaker:

world. I understand.

Speaker:

So for example, listen, Brandon,

Speaker:

Beth.

Speaker:

You guys want to have a great

Speaker:

podcast this morning and you want me

Speaker:

to put my ear pods in and if I do

Speaker:

that there's going to be no echo at

Speaker:

all and so you're thinking yeah

Speaker:

I'm getting nods from you now so I'm

Speaker:

thinking you're think David

Speaker:

understands me he's on my side he

Speaker:

understands my story world and then

Speaker:

you smack him around the head with a

Speaker:

nightmare said but guys I'm going to

Speaker:

tell you this my head port I can't

Speaker:

hear a thing through my earpods so

Speaker:

how about we figure a workaround

Speaker:

like that I think this connection

Speaker:

call it this connection before

Speaker:

correction Rather than thinking you

Speaker:

have to tell a story connect

Speaker:

to other people's stories first

Speaker:

say listen i get what it is you're

Speaker:

trying to achieve what we're trying

Speaker:

to achieve and what's gonna mean in

Speaker:

the future but now let's look at

Speaker:

what could get in the way of that

Speaker:

and then figure out what things on

Speaker:

the future i think.

Speaker:

It's a big problem.

Speaker:

People feel that they have to

Speaker:

perform as storytellers and

Speaker:

you don't actually.

Speaker:

Can I tell you another analogy from

Speaker:

acting that I think is really

Speaker:

important? And I think it's a whole

Speaker:

problem around the whole skill of

Speaker:

presentation.

Speaker:

As soon as you get people to give a

Speaker:

presentation, say you're giving a

Speaker:

presentation to the board on Monday,

Speaker:

you go, Oh my God, the board,

Speaker:

they're like a bunch of critics

Speaker:

from the New York press and they're

Speaker:

out there waiting to say, in an

Speaker:

otherwise enjoyable evening, the

Speaker:

part of the COO was played by

Speaker:

David Pullen and it was frankly

Speaker:

terrible.

Speaker:

That's what you think.

Speaker:

You think you have to impress them.

Speaker:

I think if we shift our

Speaker:

mindset in all presentation,

Speaker:

in all business communication

Speaker:

from I'm Don't try to impress with

Speaker:

these people.

Speaker:

They are not the audience, they

Speaker:

are my scene partner.

Speaker:

And as an actor, all you're

Speaker:

doing with your scene partner is

Speaker:

trying to change the way that they

Speaker:

think about things and feel about

Speaker:

things.

Speaker:

The audience is out there somewhere

Speaker:

looking on at it.

Speaker:

So don't try and impress people.

Speaker:

Try and change what they see, what

Speaker:

they feel, what they think

Speaker:

of out in the future.

Speaker:

So I think we put a huge

Speaker:

amount of pressure on ourselves.

Speaker:

And it sounds like somebody put a

Speaker:

huge amount pressure on you,

Speaker:

Brandon. I'm about to cry here.

Speaker:

You're so right.

Speaker:

So David, I want to switch

Speaker:

tack a bit.

Speaker:

So in our conversation,

Speaker:

you mentioned, I think it was the

Speaker:

four stories, either the

Speaker:

four story we tell ourselves.

Speaker:

I've been thinking about it because

Speaker:

we didn't go into what they were or

Speaker:

we went very briefly, and I just

Speaker:

really want to know.

Speaker:

And I think that it's kind of

Speaker:

relevant to what we were just

Speaker:

talking about.

Speaker:

Yeah, I think it is too.

Speaker:

So it comes back to why we're called

Speaker:

the story spotters and not the

Speaker:

storytellers, because storytelling

Speaker:

is only one of the elements

Speaker:

of story world, if you like.

Speaker:

So Sarah Jane and I at the

Speaker:

StorySpotters, we think about story

Speaker:

in four ways.

Speaker:

The first one is exactly what

Speaker:

everybody would think. It's the

Speaker:

stories you need to spot, shape and

Speaker:

share to actually engage people's

Speaker:

heads and hearts.

Speaker:

We know that story does that.

Speaker:

How do you tell those stories?

Speaker:

The second one is about what

Speaker:

stories are you listening for?

Speaker:

How do actually back to that thing

Speaker:

we said about earlier about the time

Speaker:

and space, how do you create the

Speaker:

space?

Speaker:

Whereas a leader, you can actually

Speaker:

listen to other people's stories so

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you get their world because those

Speaker:

two things are really important.

Speaker:

I think telling a story makes your

Speaker:

information understood and

Speaker:

listening to people makes people

Speaker:

feel understood.

Speaker:

And I think the trust is really

Speaker:

built on those two elements.

Speaker:

We tend to understand, we tend

Speaker:

to trust what we understand

Speaker:

and we tend trust people.

Speaker:

Who want to understand us, who want

Speaker:

to connect with us.

Speaker:

So those two are really important.

Speaker:

The third thing is the

Speaker:

stories we trigger through our

Speaker:

behaviors.

Speaker:

And I think that that's something

Speaker:

that is hugely important.

Speaker:

The thing about leadership is there

Speaker:

is no off switch.

Speaker:

I mean, you are there.

Speaker:

You're being observed.

Speaker:

And people are judging what their

Speaker:

day is going to be like, what their

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year is going to be like by the way

Speaker:

that you walk through the door.

Speaker:

So the stories you trigger through

Speaker:

your behaviors are important.

Speaker:

And the last thing, and I think

Speaker:

we've touched on this already, is

Speaker:

And another leadership role is

Speaker:

the stories we tell ourselves

Speaker:

about ourselves, which which

Speaker:

interestingly I think in terms of

Speaker:

change, especially in the world that

Speaker:

you guys work in, particularly

Speaker:

with scale-ups, as organizations

Speaker:

grow, and I can't remember what the

Speaker:

name of that number is when it

Speaker:

gets beyond the eight people around

Speaker:

a toaster and with a great idea and

Speaker:

getting stuff done.

Speaker:

That's great, but as soon as it

Speaker:

starts expanding out and it becomes

Speaker:

remote, what are the stories we're

Speaker:

telling ourselves about ourselves?

Speaker:

Those become the

Speaker:

stories you listen for, stories you

Speaker:

trigger through behaviors and the

Speaker:

stories you tell yourselves about

Speaker:

yourselves.

Speaker:

So three, one and two, I get three

Speaker:

and four.

Speaker:

So what do we mean by three?

Speaker:

So like, uh, stories triggered by

Speaker:

behavior. What, what is that?

Speaker:

If you think about it, how many

Speaker:

times have you been sitting in a bar

Speaker:

or restaurant, somebody's walked

Speaker:

through the door and you think, oh,

Speaker:

I don't think I'm going to get along

Speaker:

well with them.

Speaker:

It's sort of, you know, it's just

Speaker:

the demeanor they bring in.

Speaker:

I mean, we all, for very good

Speaker:

evolutionary reasons, we are really,

Speaker:

really primed to think,

Speaker:

do I like this person?

Speaker:

Is this person going to eat me for

Speaker:

lunch? Could I eat this person for

Speaker:

lunch. It is the sort of the

Speaker:

behaviors, just the things that we

Speaker:

do, the way that we show up in

Speaker:

space, whether it's online or in

Speaker:

the room.

Speaker:

People in a split second,

Speaker:

there's a guy called Mark Bowden,

Speaker:

who's a UK guy, lives in Toronto

Speaker:

now. He's very, very good body

Speaker:

language and a very, very funny body

Speaker:

language person as well.

Speaker:

He's got a great TED talk.

Speaker:

And he walks on stage and

Speaker:

the first thing he says is, so

Speaker:

you've already decided whether you

Speaker:

like me or not.

Speaker:

And that's it. And it's really hard

Speaker:

to untangle that because we are

Speaker:

primed.

Speaker:

For survival, to judge, to

Speaker:

tell a story about whether we think

Speaker:

somebody is, you know, to judge the

Speaker:

book by its cover essentially,

Speaker:

which is the thing we're told never

Speaker:

to do, but we do it.

Speaker:

So how you show up as a person,

Speaker:

do you look as though you're

Speaker:

somebody who people want to follow,

Speaker:

somebody who, people want to spend

Speaker:

time around? That's what number

Speaker:

three is, definitely.

Speaker:

So is that like a combination of

Speaker:

what you wear, whether you're

Speaker:

approachable or not,

Speaker:

if you're grumpy for

Speaker:

that day?

Speaker:

Yeah, no it is.

Speaker:

And do you know what, Beth, I think

Speaker:

the interesting thing is this is a

Speaker:

choice as well. I mean...

Speaker:

Sarah Jane and I often tell, you

Speaker:

know, we make a bit of a joke of it

Speaker:

and sort of say, you know it's

Speaker:

Friday night, we've got friends

Speaker:

coming around for dinner at 7.30.

Speaker:

I come back from the train at

Speaker:

seven o'clock and Sarah Jane says,

Speaker:

have you got that fish?

Speaker:

And I go, oh no, I forgot to get the

Speaker:

fish. And she's going, what the hell

Speaker:

are you doing? That's dinner.

Speaker:

And then suddenly the doorbell goes

Speaker:

and you open the door.

Speaker:

The guest there, you don't go, go

Speaker:

away. We're having an argument.

Speaker:

You go, Oh, come in.

Speaker:

We just sort of figuring out exactly

Speaker:

what we're going to do for dinner. You

Speaker:

make that choice.

Speaker:

You might be as angry as hell with

Speaker:

each other, but you make the choice

Speaker:

when the door opens about who you're

Speaker:

going to be.

Speaker:

And I think we all need to

Speaker:

remember that, you know, we have a

Speaker:

choice about how we show up in the

Speaker:

room.

Speaker:

And that's tied into four, which is

Speaker:

a story you're telling yourself,

Speaker:

because it's the story you are

Speaker:

telling yourself that the fish is a

Speaker:

disaster and the evening

Speaker:

is over, or actually

Speaker:

you can be flexible.

Speaker:

No, that's right.

Speaker:

I mean, do I have a route through

Speaker:

this? I mean what's his, you know,

Speaker:

the nightmare is the fish isn't

Speaker:

there. What's the action?

Speaker:

Oh, we have baked beans.

Speaker:

We can open that tin.

Speaker:

So, and you know I'll put garlic in

Speaker:

there. They'll think it's gourmet

Speaker:

gourmet baked beans, who doesn't

Speaker:

love that.

Speaker:

And serve a lot of wine and nobody

Speaker:

will care.

Speaker:

So just on the behavior front, you

Speaker:

walk into the office, it's open

Speaker:

plan, your presence and how you

Speaker:

carry yourself and how interact with

Speaker:

people, your behavior.

Speaker:

As you said, people are judging you

Speaker:

and as a CEO of the company or

Speaker:

CEO of a company, you're viewed in

Speaker:

a very special way from the outset,

Speaker:

regardless of who you are.

Speaker:

Then everything is layered on top of

Speaker:

that in terms of your personality,

Speaker:

your behavior and so on, I suppose.

Speaker:

There's a certain level of like, I

Speaker:

don't know what you call it, like

Speaker:

inbuilt fear.

Speaker:

Of our positions.

Speaker:

I'm very cognizant of in a business

Speaker:

environment is there things that I

Speaker:

can do or think about

Speaker:

to shape things

Speaker:

to some extent without changing who

Speaker:

I am as a person, but behaviorally

Speaker:

maybe showing up in a better way for

Speaker:

the rest of the company than I would

Speaker:

do otherwise. And this is kind of

Speaker:

like you're opening the door thing

Speaker:

that you just talked out.

Speaker:

Absolutely. There's a very good

Speaker:

friend of mine who's a who's a

Speaker:

psychotherapist. I remember having a

Speaker:

drink with him, as one does with the

Speaker:

psychotherapists, many years ago.

Speaker:

And he said, you know, David, the

Speaker:

biggest thing you have to realize in

Speaker:

life is there is no single David

Speaker:

Pullen. It's like there's a

Speaker:

coachload of David Pullens and

Speaker:

they all sit there in this bus.

Speaker:

And your only decision you have make

Speaker:

is which David Pullan is going to

Speaker:

get out at which bus stop.

Speaker:

So you get there, what contextually,

Speaker:

which one gets out here.

Speaker:

And when he said that, I thought

Speaker:

that's really interesting because I

Speaker:

think we limit our power by

Speaker:

limiting the potential of our

Speaker:

authenticity and realizing there's

Speaker:

all sorts of different Davids as

Speaker:

there are indeed with Brandon and

Speaker:

Beth, and they all show up slightly

Speaker:

differently.

Speaker:

It's just which one comes out

Speaker:

at which moment.

Speaker:

And interestingly, just thinking

Speaker:

about your point there and you

Speaker:

said before, Brandon, I think that,

Speaker:

and actually this ties into what you

Speaker:

were saying, Beth, as well, in terms

Speaker:

of starting a role, is we

Speaker:

build in those initial rapport

Speaker:

building, trust building stages

Speaker:

within a new role, that's

Speaker:

the moment where we build a lot of

Speaker:

equity, you know, how you show up

Speaker:

in those first 100 days and

Speaker:

not only physically, but how you

Speaker:

showed up on Slack, on an email,

Speaker:

on all sorts of things.

Speaker:

People are putting the pieces

Speaker:

together, the little tiles in the

Speaker:

mosaic going, That's who Brandon is,

Speaker:

that's who David is, that's you Beth

Speaker:

is. And I think once you've

Speaker:

built that equity of,

Speaker:

I hate to use this, but personal

Speaker:

brand, if you like, but I've used it

Speaker:

too late and I've slipped out.

Speaker:

But once you built that, then you

Speaker:

build a little bit of, you know,

Speaker:

there's a bit of wriggle room.

Speaker:

So if you turn up one day and,

Speaker:

God, you feel terrible, people

Speaker:

aren't going to go, Oh my God, the

Speaker:

sky's falling.

Speaker:

Because you've built a bit of trust

Speaker:

there already.

Speaker:

But I think those early stages of

Speaker:

thinking, how do I need to show up

Speaker:

in all channels, as I say,

Speaker:

written and in real life, if you

Speaker:

like, is really important.

Speaker:

I'm going to go back to it's

Speaker:

entirely tied into the stories you

Speaker:

tell yourself, because that's

Speaker:

how your behaviors come out.

Speaker:

Do I need my psychotherapist friend

Speaker:

for this bit back?

Speaker:

I'm not sure.

Speaker:

I don't think so.

Speaker:

I was recently on a retreat with

Speaker:

the COO Roundtable and

Speaker:

Divinia, who's a friend of the

Speaker:

podcast, I'm going to talk about

Speaker:

her. She either has just

Speaker:

completed or is completing

Speaker:

a master's in transactional

Speaker:

analysis.

Speaker:

We were talking about

Speaker:

the drama triangle, which we

Speaker:

can talk about maybe in a second,

Speaker:

but also what reminded

Speaker:

me you're saying there's all these

Speaker:

different people within us, but

Speaker:

there's also, there are...

Speaker:

Parents, children,

Speaker:

and adults in us.

Speaker:

What we're looking for is

Speaker:

adult-to-adult conversations where

Speaker:

we're all relaxed and

Speaker:

in a, I don't know, ego-neutral

Speaker:

state. I'm not using the right

Speaker:

terminology, but you know, the

Speaker:

conversation we're having right now

Speaker:

is a adult- to-adul conversation.

Speaker:

And then we can end up

Speaker:

getting hurt,

Speaker:

confused, activated

Speaker:

in ways that bring

Speaker:

out the like rebellious

Speaker:

child in us and.

Speaker:

You might be dealing with somebody

Speaker:

who's having an absolute

Speaker:

moment or you might feel that

Speaker:

coming out of you.

Speaker:

And one of the things in

Speaker:

transactional analysis is that you

Speaker:

can try and help bring that person

Speaker:

back to an adult state, but

Speaker:

there's no point.

Speaker:

An adult to a child, like it's not

Speaker:

going to work because they're just

Speaker:

not in a state where they

Speaker:

are regulated and

Speaker:

able to talk.

Speaker:

And I think also from your actor.

Speaker:

Background because that requires

Speaker:

a level of self-regulation in order

Speaker:

to understand which emotions you're

Speaker:

pulling out.

Speaker:

If you find yourself as a leader

Speaker:

having a temper tantrum,

Speaker:

how do you regulate yourself

Speaker:

out of that with the stories that

Speaker:

you tell.

Speaker:

Wow, that is a great question.

Speaker:

I'm going to dive into this

Speaker:

transactional analysis thing a bit

Speaker:

here because I think it's really

Speaker:

important.

Speaker:

I think the short answer to your

Speaker:

question is just to be aware of what

Speaker:

is going on and the potential for

Speaker:

what is doing on the potential

Speaker:

danger of what is going here.

Speaker:

There's a communication consultant

Speaker:

called Amy, and I can't remember her

Speaker:

surname, who lives in Switzerland.

Speaker:

And she and her sister who lives

Speaker:

in the US have

Speaker:

turned the transactional

Speaker:

analysis model into what they call

Speaker:

the partner-predator-prey model,

Speaker:

which I think is really interesting.

Speaker:

And so basically, you have a

Speaker:

situation where sometimes people

Speaker:

unwittingly are

Speaker:

leaders are in the predator state,

Speaker:

just the way they're coming over.

Speaker:

And we can unwitting self put

Speaker:

ourselves in the prey position as

Speaker:

well of going, oh, I'm not really

Speaker:

worthy of sort of going and saying,

Speaker:

I can have a pay rise here and blah,

Speaker:

blah, and it's sort of exactly as

Speaker:

you're saying, Beth, the stories we

Speaker:

tell ourselves about ourselves.

Speaker:

So I think step one is realizing

Speaker:

that that is going on.

Speaker:

It's the games that people play,

Speaker:

to quote the people who came up with

Speaker:

transactional analysis in the first

Speaker:

place. The partnership role,

Speaker:

I like to vision it a bit like a

Speaker:

seesaw. It's about, you know, when

Speaker:

you're a kid, you get the seesaw,

Speaker:

let's see if we can balance this

Speaker:

thing. Let's see if we keep this

Speaker:

thing on balance with each other.

Speaker:

The partnership is a fluid thing in

Speaker:

balance and is based on respect.

Speaker:

It is based upon respect for

Speaker:

yourself and respect for the other.

Speaker:

It comes back to this psychological

Speaker:

safety.

Speaker:

I respect who I am.

Speaker:

I also respect who you are.

Speaker:

Let's try and keep this thing in

Speaker:

balance together.

Speaker:

So I think the major thing is just

Speaker:

realizing, if I'm going in

Speaker:

there with this attitude,

Speaker:

be it either as predator or

Speaker:

as prey, there's gonna be danger

Speaker:

here. How can we turn this back into

Speaker:

partnership?

Speaker:

I'll give you a very quick story of

Speaker:

that. It actually happened to me

Speaker:

years and years ago now.

Speaker:

I was introduced to a...

Speaker:

Bit of a master of the financial

Speaker:

universe. The guy introduced me to

Speaker:

this guy said, oh, this is David.

Speaker:

He's an actor and he basically

Speaker:

teaches people to speak better.

Speaker:

He had no idea what I did, but that

Speaker:

was his shorthand for what I

Speaker:

And this guy said, no, it must be

Speaker:

very intimidating for you being

Speaker:

around all these intelligent people

Speaker:

in the city if you're just an actor.

Speaker:

Now, listen, he was probably

Speaker:

wittingly doing Predator and trying

Speaker:

to put me into prey.

Speaker:

And I thought to myself, well, apart

Speaker:

from the fact I wanted to hit him, I

Speaker:

didn't. I had basically said,

Speaker:

who was it? Was it Lincoln who said,

Speaker:

I don't like this man, I must get to

Speaker:

know him better?

Speaker:

I took that one.

Speaker:

I took a leaf out of Abraham

Speaker:

Lincoln's book.

Speaker:

And I said to him, well you know,

Speaker:

I've seemed to have got away with it

Speaker:

so far, But listen, I hear you've

Speaker:

got a yacht in the Silly Isles.

Speaker:

I hear that an hour later, we drunk

Speaker:

a bottle of red wine.

Speaker:

I'd got his card.

Speaker:

We went through coffee the next

Speaker:

week. I just refused to be put

Speaker:

into the prey position and sort

Speaker:

of brought him back into

Speaker:

partnership, respecting me,

Speaker:

respecting him.

Speaker:

So it's a very long answer to what's

Speaker:

a short answer.

Speaker:

Basically realize the dangers.

Speaker:

And get back into that adult

Speaker:

place, that partnership place.

Speaker:

Poor Brandon. Brandon's like, but

Speaker:

how? How do I do this?

Speaker:

How do I this in a business context?

Speaker:

I don't care about all of this

Speaker:

theory.

Speaker:

Time and space, time and space.

Speaker:

It really is. And it's difficult.

Speaker:

It really is difficult.

Speaker:

I mean, take the time to talk to

Speaker:

people, to hear their stories, to

Speaker:

let your story be heard.

Speaker:

And like I say, we are not talking

Speaker:

about Star Wars here.

Speaker:

A story, you get it out in 20,

Speaker:

30 seconds.

Speaker:

Say, Don't start with your fifth

Speaker:

birthday, I want to know what

Speaker:

happened last week.

Speaker:

The other thing I was thinking about

Speaker:

before we just came onto our podcast

Speaker:

was oftentimes as a CEO

Speaker:

across the company, you're trying to

Speaker:

pull people together and a

Speaker:

lot of the situations you're dealing

Speaker:

with are tough situations

Speaker:

where sales is having a

Speaker:

problem with marketing or the VP of

Speaker:

sales is a problem with the VP and

Speaker:

marketing and so on.

Speaker:

And you're conversational,

Speaker:

you get in this position where...

Speaker:

It's getting into like a really

Speaker:

difficult spot and as a CEO what

Speaker:

you're trying to do is pivot out of

Speaker:

it With some kind of story to put

Speaker:

the conversation back onto the right

Speaker:

track So it doesn't devolve into

Speaker:

something that you don't want.

Speaker:

Do you have any

Speaker:

tips or Tricks around how to

Speaker:

how do you identify like

Speaker:

when is the right time to do that?

Speaker:

And what's the best way to do?

Speaker:

Next time is probably now.

Speaker:

It's about the

Speaker:

sooner you get the story in place,

Speaker:

the better. And the ways to do it, I

Speaker:

think, are evolving by the minute.

Speaker:

I've trained up this AI model using,

Speaker:

do you know chip AI?

Speaker:

Have you come across chip?

Speaker:

It helps you use natural language

Speaker:

to develop your own AI

Speaker:

agents, basically.

Speaker:

And I've train it in my methodology.

Speaker:

I called this thing called the Lois

Speaker:

Lane, because it makes me laugh.

Speaker:

And Lois is an interviewer who

Speaker:

writes for The Atlantic and Time

Speaker:

Magazine, things like that.

Speaker:

She's trained to do that.

Speaker:

And it's all closed loop.

Speaker:

It doesn't go out to chat GPT or

Speaker:

anything and basically she asks

Speaker:

questions and I got this group of

Speaker:

people all working towards one

Speaker:

vision and not necessarily knowing

Speaker:

how they all fit together answering

Speaker:

a bunch of questions and she's

Speaker:

amazing she asked questions of you

Speaker:

took about 20 minutes and then she

Speaker:

wrote an article like it would

Speaker:

appear in the Atlantic or time or

Speaker:

something like that and everybody

Speaker:

sat there going okay we see how

Speaker:

we all fit together now and what the

Speaker:

future can look like so

Speaker:

I think in the past, I've done

Speaker:

massive two-day workshops

Speaker:

whereby people have come together

Speaker:

and okay, let's do

Speaker:

lots of slides about what the future

Speaker:

looks like and then let's get into

Speaker:

breakouts and sort of figure out how

Speaker:

we need to work

Speaker:

together and what we individually

Speaker:

can do.

Speaker:

It's one way of doing it.

Speaker:

I think there are quicker ways of

Speaker:

doing it now that you can actually

Speaker:

get people to that point and then

Speaker:

they have something that they can

Speaker:

refer to. It's like they're.

Speaker:

Refer back to that piece of paper,

Speaker:

that story that you wrote about

Speaker:

yourselves.

Speaker:

That's a great way of bringing

Speaker:

large, disparate groups of

Speaker:

people who ostensibly

Speaker:

should be driving towards

Speaker:

the same aim, but they get very

Speaker:

siloed. They don't see what the

Speaker:

bigger picture

Speaker:

So my question is,

Speaker:

and it just reminded me when you

Speaker:

said you're getting people together

Speaker:

in workshops for two days, the

Speaker:

activity in a workshop that I hate

Speaker:

more than anything or an

Speaker:

off site is where

Speaker:

you have a topic and you break

Speaker:

up into groups and for x

Speaker:

amount of time each group works

Speaker:

on the topic and then

Speaker:

replays that back to the bigger

Speaker:

group. I hate that one

Speaker:

and yet it's the one that you do

Speaker:

every single time.

Speaker:

Do you have a better one?

Speaker:

Tell me why you hate that, Beth.

Speaker:

I hate it too, but I'm interested to

Speaker:

know why you hate it.

Speaker:

So I hate being in the

Speaker:

group of a bunch of random, you

Speaker:

know, because you're also you're

Speaker:

mixing up the teams, the teams can

Speaker:

get to know each other.

Speaker:

And you have somebody who goes off

Speaker:

and does something weird, the woman

Speaker:

in the groups always has to be the

Speaker:

scribe. And so I make it as a rule

Speaker:

that no the women can't be the

Speaker:

scribes.

Speaker:

And either people come up with stuff

Speaker:

that's just totally irrelevant and

Speaker:

have gone off on some sort of

Speaker:

massive tangent, or

Speaker:

and which is much more common, every

Speaker:

single group comes up with the same

Speaker:

idea. And yet, every

Speaker:

single group has to stand up and

Speaker:

present and you get good

Speaker:

presenters and bad presenters and

Speaker:

people who love being on stage and

Speaker:

who absolutely hog the limelight and

Speaker:

the time saying nothing times

Speaker:

eight and so it's

Speaker:

really boring to

Speaker:

listen to everybody's ideas and you

Speaker:

have to pretend you care and

Speaker:

generally you're getting nothing out

Speaker:

of it but it's just like

Speaker:

Why do you hate it?

Speaker:

For all of the reasons that you said

Speaker:

and often it doesn't go anywhere.

Speaker:

I mean, where does it go afterwards?

Speaker:

I mean it's an information gathering

Speaker:

thing rather than an imagination

Speaker:

creating thing about what could be.

Speaker:

It's what is more often than

Speaker:

not and it's people showing off

Speaker:

about, Oh, I know this much.

Speaker:

I mean, it's.

Speaker:

I think there are huge problems with

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it. I mean, I don't like it at all.

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I tell you one exercise that I have

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done with people in the past, which

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is, have you ever come across

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constrained creativity?

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Have you ever came across that as an

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exercise? They were thinking about

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the future. And so you give them an

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object. Let's say you give him a

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glass of water and you say, right,

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as a group on the table, I want you

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to write down all the adjectives

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that you think to do with it about

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that. So you say, it's refreshing,

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it transparent, it life-giving,

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it clear, it whatever the adjectives

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describe a glass of water.

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And then you say Okay,

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if you as an organization were

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transparent, clear,

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life-giving, refreshing, what

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would you need to be doing to do

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that? What things aren't

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you doing at the moment and do you

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need in the future?

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I like that exercise because it gets

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people thinking creatively, it gets

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them thinking about what is and

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what could be.

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It's a bit of a pattern disruptor in

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people's brains.

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It gets people doing what

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we as a species, as far as

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we know, are the only ones on the

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planet that can do, which is

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imagine. I like constraint

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creativity as an exercise.

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If our listeners can

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only take one thing away from it,

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what is that?

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Connect before you correct.

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Connect to other people's stories

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first and then put your

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story in.

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On that note, thank you, David, for

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joining us on the operations room.

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If you like what you hear, please

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subscribe or leave us a comment.

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And we will see you next week.

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About the Podcast

The Operations Room: A Podcast for COO’s
We are the COO coaches to help you successfully scale in this new world where efficiency is as important as growth. Remember when valuations were 3-10x ARR and money wasn’t free? We do. Each week we share our experiences and bring in scale up experts and operational leaders to help you navigate both the burning operational issues and the larger existential challenges. Beth Ayers is the former COO of Peak AI, NewVoiceMedia and Codilty and has helped raise over $200m from top funds - Softbank, Bessemer, TCV, MCC, Notion and Oxx. Brandon Mensinga is the former COO of Signal AI and Trint.

About your host

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Brandon Mensinga